It was glaringly obvious to anyone watching Newsnight last Friday that David Starkey's comments would outrage the intelligentsia. To be politically incorrect with a license takes bravery, to be without one (like Starkey) is like charging into enemy front lines. What commentators are debating is not whether his comments were semantically racist/racialist but whether he had committed heresy and thus should be ostracised from public life. People have been there before and only after mass grovelling and defense from multiple people are they finally exonerated.
Quoting Enoch Powell on his racial politics is dynamite even if you may try afterwards to distance yourself from much of it; the rivers of blood speech being the most controversial of all speeches by a modern British politician. Starkey may have mitigated his agreement with Powell's predictions by refuting the identity of the would-be perpetrators, but this was not enough. A Conservative candidate in 2007 was forced to resign for praising Powell and a couple of years later Daniel Hannan faced criticism for his praise of him.
Throughout the discussion was the surprising omission of that commonplace word: 'wigger'. I appreciate that Starkey is from a different generation but I find it hard to believe that he is not aware of this word; rather, he choose to explain by stating, in probably his career's most provocative statement: that the 'the whites have become black'. Obviously, he was not talking about entire racial groups but only meant that certain white people have been replicating the demeanour and attire of black rappers.
Rap music is almost certainly the most racially conscious form of popular music. Lyrics ranging from Tupac's 'Changes' to Bashy's 'Black Boys' have addressed the concerns and experiences of what they perceive as the black community. This is why there are those who describe rap music as 'black culture'. Of course it is only one facet of black culture but it is undeniably high-profile with its commercial success and vast cultural influence that I have witnessed throughout my life amongst people of my age group. In the past, black academics like Tony Sewell had argued that rap music had a detrimental affect on the education of young people. Unsurprisingly, these comments sparked fury several years ago from our PC classes.
The former Conservative MP, Jeremy Hayes, made the excellent point that the success of Ali G was because it was a satire on young whites trying to act emulate the lives of rappers that they idolised. That Ali G was allegedly based on Tim Westwood, a middle-aged white DJ who is ironically ridiculed by the same intelligentsia for mimicry of the rap culture that they sought to defend on Newsnight, says it all. Starkey describes their language as a kind of Jamaican patois but it is, now more than ever, far more amalgamated in nature. Some of the slang found in The Wire would not be out of place among them such as the word 'holla'. And that was a series that had a scene in Season 2 where one white characters ridicules another for being a 'wigger'. Cultural commentators have also pointed out that it is not only whites that are copying rappers. In the novel White Teeth, Zadie Smith described it as 'raggastani' where one Pakistani character in it, Millatt, tries to speak in Jamaican patois.
Sadly, Starkey's opponents seek to condemn him rather than engage in civilised debate. Dreda Say Mitchell focuses her sarcastic fire in The Guardian on him but it descends into a self-opinionated, defensive piffle rife with silly analogies. Her alleged '99%' of people in agreement with her over Starkey being 'ludicrous or comical' must be a lousy sample unless you think the Guardian is an indication of public opinion. Just comparing some of the comments on that article (there were actually Starkey supporters on the Guardian!) to those by defender of Starkey such as in The Daily Mail and The Telegraph just shows how varied public opinion is. The media often portrays the general public as being politically centrist but this has always striked me as an illusion.
I'd recommend taking a look at Toby Young's response and especially James Delingpole's., both in The Telegraph. I had my doubts about Delingpole previously, especially when seeing him at a talk, but this article has redeemed him. Both make valid points on the opprobrium that Starkey was met with when he described David Lammy as sounding white. Many I know would have expressed it in those terms but the BBC has far stricter guideliness on discussing race. I would even go as far as saying that a number of people I know would have not bated an eyelid about describing Lammy as a 'coconut', and I know people from a multitude of backgrounds. Clearly what Starkey was saying was not exceptional bigotry, as his opponents would want you to think, but the conveying of a substantial part of public opinion.
I do not know whether this will have long-term repercussions for Starkey. PC Piers Morgan of the Thought Police wants him decommissioned but Morgan's someone many of us love to hate as symbolised by Clarkson's punch to his face. Time will tell but that remarks like this can be seen as so inflammatory signifies the extent to which the irrational racialism of the past has been extinguished in Britain. In my experience, this shift has rarely been out of high-mindedness but social coercion. Perhaps today's passionate anti-racism is a subconscious atonement for the past.